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从QAnon的兴起到1月6日的骚乱，《反社交网络》讲述了一群因孤独而聚集在一起的无聊青少年如何建立了一个在线社区，但在这个过程中却意外地打破了共识的现实。。本剧用倒叙方式讲述了一个连环凶杀案的故事，剧名Rellik是英文单词Killer的回文。剧中犯罪事件之末将会在一开始就公之于众，然后以受创伤﹑毁容的伦敦警探Gabriel Markham为中心，在回溯追凶过程中剖析该警探的故事。参与演出《雪岛迷踪》及《权力的游戏》的Richard Dormer饰演高深莫测﹑不屈不挠﹑具感召力的警探Gabriel，他痴迷于追捕一个在他身心留下伤痕的连环杀手。Jodi Balfour饰演Gabriel的拍档Elaine，她是个爽朗﹑有热情﹑急切讨好别人的警探。艾美奖提名者Sam Miller将执导该剧，编剧Williams兄弟及其公司将担任本剧的执行制片方。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。