可乐和曼妥思

吴峰是一家互联网公司的技术骨干，年薪50w，为家庭付出一切，是所有人眼中的好好先生，直到他悄悄花368购买了一款单机游戏追忆年少青春，女儿发现后，对他发起了网暴，气得他心肌梗塞住院。。Melanie拥有一个温暖的家庭，老公、儿子还有可爱的小孙子，他们住在加拿大郊区，然而，最大的问题是，她并不快乐。直到她收到了一封信……Melanie幼时适逢第二次大战，曾在法国临时难民营待了一阵子，那段日子她认识了生命中最难忘的两个人：Jakob如同父亲般教导她，Christopher则是她的初恋。战争的结束扯散了三人；30年后的今天，Christopher与Jakob重新出现在她的生命中，她该做出怎样的选择呢……。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。