温柔的背叛柳冰

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。根据捷克民谣改编的七个小故事： 1.一位妇人死在归家的途中，年幼的孩子们每天去坟前看她，呼唤着陷入永眠的母亲； 2.少女不听母亲的劝告，去湖边游玩，落入水中后她与水怪结为夫妻； 3.一对情侣，男人奔赴战场，苦等多年的女子日日祈祷爱人归来，她的愿望成真； 4.一位母亲辛苦 准备晚饭，她年幼的儿子却纠缠不止。母亲一气之下，让门外的百日巫师将儿子带走，不曾想…… 5.某国君主在森林中驰骋时，撞见一个正在沐浴的绝世美女，他向女子的继母提亲，为了将亲生女儿将给国王，恶毒的老女人不惜残忍杀害继女； 6.少女承认自己堕胎，深感罪恶的她走向绞刑架，临终前向母亲发出了诅咒； 7.两个女孩聊天，传说在午夜凿开冰层，便能从水中看到爱人的样子。。2012年，西班牙裔大男孩杰西·艾瑞斯塔（安德鲁•雅各布 Andrew Jacobs 饰）和好友们高中毕业。炎炎夏日，男孩和家人们饮酒作乐，欢天喜地，每天则与赫德（Jorge Diaz 饰）则玩着各种各样的蠢蛋游戏。杰西楼下住着名叫安娜的胖女人，某天他们用摄像机偷窥安娜的房间，竟然目击到了神秘惊悚的一幕。传说中安娜是名女巫，这由此勾起了两个大男孩的探险欲望。某天晚上，同学奥斯卡惊慌失措从安娜的房间逃跑，不久后安娜的尸体则被警方发现。在此之后，杰西、赫德拿着摄像机进入安娜家中探险，兴奋之余，他们不知道自己正置身难以逃脱的恐怖漩涡。 偶然机缘，杰西发现自己拥有了超人的力量，而影响深远的恐怖故事就此上演……。