欲望号快车英文名

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。省社科院研究员马也因不愿自费出书而陷入其论著不能出版的苦恼。一次偶遇，他邂逅了二十多年前的校友韩绮丽，热情大方的韩绮丽如今已经是名副其实的单身“富婆”，这次的邂逅，重新点燃了她对马也暗恋的火花。她暗中帮助马也出书，使马也一步一步陷入了她设下的爱情“圈套”。 独身一人带着女儿的马也被这份迟来的爱情打动，却怕有“攀富”之嫌而心有顾虑。奈何女儿出国需要一大笔钱，韩绮丽慷慨解囊主动送来十万元，马也犹豫不决。 正愁修路差十万元而焦头烂额上门求救的长生，误以为是为他准备的，马也一时情急，不知如何是好，只好让长生把钱带走。 在一系列的冲突中，马也和韩绮丽排除误解，最终走进了彼此的心灵…。漂亮的双性恋男子Antonin在巴黎一家音像店打着零工，他喜欢音乐，和乐队男队友有着理不清的暧昧。某个夜晚当他的“爱”在他的怀里失去后，他的感情世界开始一片片剥落。Antonin开始沉迷在巴黎的夜间行走，发生匿名性爱，同时曾与他有过性关系的的老板一再暗示Antonin就范。这一切直到他遇见神秘女子Juliette。导演Hormoz并不忌讳直白裸露的性爱，他创造了一个充满魅惑的地下世界，却不忘提醒观众爱和希望即便在夜里也会盛开。。