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泽田杏花（上野树里饰）与丧偶的父亲（松重丰饰）一起挑战相亲活动，讲述了努力思考“和谁一起生活”的女儿与走向第二人生的父亲共同奋斗的爱情故事。共演有矶村勇斗、田中圭、井川遥等，《请和废柴的我谈恋爱》吉泽智子担任编剧。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。金秋,大国手和白衣天使们又亮丽登场了, 当年,在安在旭和金喜善高调连手的《妙手情天》里，车太贤就是医生了, 但,稚嫩的他老被病患欺负,甚至被女病患压倒在医院的草坪上，遭言语羞辱... 现在车太贤踩着稳健又自信的步伐踏进综合医院， 他环顾四周，彷佛说着: 我，胡汉三又回来了, 我已经不是当年的那个菜鸟了. 他锁紧眉头,整了整衣领, 淡漠地问着：发生什么事了呢？ 医院的故事让人胆颤心惊在生死在线挣扎的患者们与死神搏斗的医生们片刻不能喘息须臾不得放松直到意志力与精湛的医术连手找回生命的曲线与脉动为止我们牵挂着、关注着随着心电图的波动，心情也跟着起伏连眨眼睛、深呼吸的松懈都不敢我们也变成生死拔河的选手了医院里的白大褂们看尽生老病死的喜悦、哀愁、苦痛、悲伤他们以如止水的心看待悲欢离合看似冷漠、无情但《综合医院》走一遭后发现浓烈...。